RONJA TACKAR FÖR 4 HELT UNDERBARA ÅR MED BREATHINGTWILIGHT!

THE TWILIGHT SAGA: BREAKING DAWN PART 2 - PÅ BIO NU!

lördag 20 mars 2010

THE TWILIGHT SAGA: ECLIPSE - 7 MINUTER!

OME!OME!OME!OME!OME!OME!OME!OME! AAAAAAAHH!
WOW, WOAH! HERREGUD! GRÅTER, SKRIKER, ANDNÖD! :O

Här är en 7 minuters video med bara material från Eclipse, spoiler-spoiler och spoilers mina vänner och skak-framkallande!




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Ny sneak peek på Eclipse :)



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Robert screws up XD



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Peter Facinelli under Nurse Jackie RX Games




New pictures of Eclipse Vampire Peter Facinelli (aka Carlisle Cullen) at Showtime’s Nurse Jackie RX Games, at Gotham Hall in NYC.
The competition included the Nurse Jackie cast against nurses and nursing students in NY for charity.
You can read more information on the charity here.
Check out the rest of the pictures of Peter and his Nurse Jackie cast over at FoForks!

vill ni se resten av bilderna klicka då HÄR!
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Bilder från New Moon extra materialet :)

Fler bilder här!
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Lutz på Twitour ;D



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Nya bilder på Anna i Japan :)

För att se mer bilder, klicka då här!
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Kristen och Dakota snackar om The Runaways i ny intervju :)

What surprised you the most, in terms of what a rock band has to go through to make it big?

Fanning: I think my first taste of that was just being thrown into the recording studio to sing the songs. I haven’t rerecorded them to this day. Those are how they are and what is in the movie and on the soundtrack. So yeah, just being in the studio and realizing that’s what you’re doing today, which is kind of how the Runaways were back then, which was cool. They just [recorded a song] one or two times, and then that was it.Kristen, you’ve played guitar for a long time and you write songs. How did portraying Joan Jett affect your real-life guitar playing, musical tastes or songwriting?Stewart: It definitely got me playing more guitar. I have to say, when I play music it’s sort of nothing like Joan. She’s a rhythm guitar player. I’m like a weird, picky, manic [guitar player]. I play so differently from her.I was really lucky to play guitar, because I had such a small period of time to learn the songs and stuff, and she has a very distinct way that she plays. Luckily, I didn’t have to worry about getting her sound right. When you hear guitar in the movie, it’s actually Joan playing. I had to learn the songs to look like [I was really playing].

What did you learn from Cherie Currie and Joan Jett?

Fanning: I think they were really involved in helping as much as we wanted them to help us and to be there. Playing a real person is kind of a daunting task, especially [with] Cherie actually being there and meeting her and talking to her about the experiences, it was more than helpful, I think.Stewart: They knew things that we would never know that we wouldn’t be able to put in the movie that would be lost that were very important to them. Just details, photos and footage and a book ["Neon Angel"]. It’s not an objective telling of the story; it’s definitely [Cherie Currie’s] side of it. It was nice to hear Joan’s [side of the story], because it was very different. There are a million things that would’ve been different in the movie, and we would’ve been telling story wrong had they [Cherie Currie and Joan Jett] not been there to correct us.

How much did you study Cherie Currie’s and Joan Jett’s body language and how they carried themselves?

Fanning: I was definitely looking at the way Cherie was. Cherie on stage and off stage was very different, so I made sure there was a difference between the two. On stage, she emulated David Bowie and was bigger than life and had so much confidence. In real life, she’s very vulnerable and kind of has this innocence about her.

In real life, did you start to adopt any habits or mannerisms of Joan and Cherie?

Fanning: We became friends. They were there [on "The Runaways" set] all the time. I still see Cherie a lot and she has such a big personality. And you can’t help but [be influenced by that]. Things in my life, I go back to them. I relate to them, because this was such an important experience to me. So yeah, I just pretend I’m still doing the movie and I’m still playing her.

Stewart: I went to Comic-Con [in San Diego] right in the middle of shooting ["The Runaways"]. I was so not ready for that [Comic-Con experience]. I was in a completely different head space, and I think it definitely showed.

You both have done multiple movies together. How do you bond with each other off screen?

Fanning: She’s one of my closest friends.

Stewart: I don’t think we’ve ever hung out and not referred to ["The Runaways" movie].

Fanning: I think Joan and Cherie have something and that’s something they’ll always have. I don’t think anybody else will really ever understand that, just because of the experience we’ve gone through, so that’s really cool.

Stewart: We both really love movies, because that’s what we do. I’m a huge fan. There’s not a whole lot of young actors that I’ve talked to that are into it. We don’t really bond over much. I just think [Dakota Fanning] is cool.And did you feel extra pressure to get the stage performances right?Stewart: That’s why the performances were the most intimidating thing, because they have such interesting styles. I’m not a performer, so that was a new thing for me. You watch these videos, and when I first started watching Joan do these songs, she was so full of something that nobody could try to emulate, because it’s unique to her, and nobody else has that. She’d look through the crowd, and there are certain videos where you get lucky and there’s a good shot of her … when she stares into that camera, and you’re just like, ”I’m never going to be able to do that.” Because for Joan, it’s all about the music …

Can you compare and contrast the fan adulation in real life with the type of fan adulation a rock star gets?

Fanning: I think it’s comparing an actor with someone who’s in music. It’s really different. Me just playing a musician is kind of a different energy you feel than someone screaming or cheering for you personally. For actors, most of the time, people are just fans of who you’ve played as a character, and they see you as that character. As opposed to a musician, they love you and how you are on stage and how you project yourself on to other people …

Stewart: Musicians make statements. They’re there to be themselves. That’s just not the way we [actors] are. I feel like [musicians are] much more public figures than actors, almost.

How would you describe your fans? How do you feel about your fans?

Fanning: You have to have your fans to support your films, and that’s so wonderful when someone is moved and inspired by something you do. And that’s why I do what I do. If you can help someone out there and they become a fan, I think that’s amazing.

Stewart: To share what you love with other people, there’s nothing more gratifying than that. It’s weird when someone comes up to you and says, ”Oh, I saw this random movie [you were in],” and in my head, nobody saw it, but they like it.

What can you say about the fashion in ”The Runaways”?

Fanning: I have almost all of my wardrobe from the film. I love the silver jumpsuit and the corset, because they’re so iconic to Cherie. Those are the two most important ones to me.

Stewart: I took this … That’s so weird, I keep saying that we ”took it.”

Fanning: They gave it to us! [Fanning and Stewart laugh.]

Stewart: I have this leather jacket that I wore in the movie, pretty much the whole time. And I wrote ”Joan” on the back of it, in small writing with a white-out pen, so it looks really punk rock and awesome. I gave it to her, so it’s really cool. I should’ve taken both jackets. I gave Joan the jacket I wore in the movie.

What is it about Joan Jett and Cherie Currie that resonates the most with you?

Stewart: Joan was the first woman to start her own record label. She was basically pulled after the Runaways broke up, and after the most successful, extravagant time for a couple of years at such a young age, and then she was done. [People thought] she peaked. Despite the Runaways’ success, people still didn’t want to hear [her music], people still didn’t like her style, people thought she was too aggressive, that she was ugly or wasn’t girly enough or whatever.She’s not just a famous musician because she makes cool music. She makes really great music. It’s filled with her. She is her music. She says, ”If you want to know me, read my lyrics.” Or listen to the guitar she’s playing. It’s cool, not just because of that, but she really made some headway. And people should know where she came from. That’s why the Runaways are so cool, because I didn’t know about the Runaways.

Fanning: For Cherie, what I took away a lot from her was the sacrifices she makes to give up what she loves to do. She even says today that she would’ve died if she had continued on the path that she was on. So to watch someone give that sacrifice, I was looking at myself and said, ”Could I give that up?” Obviously, I’m not on a downward spiral like she was, but that’s a really hard thing to do. And to watch your close friend Joan Jett and have zero resentment and be so proud of Joan is such an amazing thing to watch. Cherie is pretty inspiring to me.

What do you think people will take away from ”The Runaways” movie, especially teenage girls?

Fanning: I don’t think a lot of people my age know who the Runaways are. And I don’t think a lot of people know Cherie Currie’s story. So it’ll be great to bring their music to a different generation.Stewart: There’s definitely that, and it’s a good story for people who don’t know about it. Like I said before, it’s good to know where we came from, because we [in our generation] have grown up in a different way. I never thought for one second I couldn’t say or do something or look a certain way. That’s just not how I was raised. It was different for [the Runaways].Joan is really excited, and we’re all really excited, that people have been inspired by the music a little bit. Like I’ve had a lot friends of mine say, ”Oh, I’m in a band now.” We’ve experienced that sort of the most you possibly can, so we’re like, ”Yeah! Do it!” It’s awesome. You see a lot of girls playing instruments now, you see a lot of girls playing music, but none of it’s aggressive. None of it is! Nobody [on the charts] plays hard rock anymore, really — like no girls. That would be awesome if people got more into it and felt like they could do that again.

Where did you two like to hang out when you were filming ”The Runaways”?

Stewart: We hung out together in cars and houses and in our trailers.

What was your favorite part of filming ”The Twilight Saga: Eclipse”?

Stewart: I don’t know. I always like going back [to the "Twilight" movies]. It’s hard to be specific.

Kristen, what did you think about winning the British Academy of Film and Television Arts (BAFTA)’s Rising Star Award this year?

Stewart: It’s a huge honor, of course, especially the people who were [also] nominated. I was really overwhelmed.

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En "Eclipse-spoof"


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Nikki Reed & Christian Serratos på "The Yotam Solomon Fall-Winter Collection Presentationen"




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intervju med Melissa Rosenberg :)

You may not know her by name, but you certainly know her work.
Melissa Rosenberghas adapted the popular ”Twilight” series of novels for the silver screen. Besides romance of the werewolf and vampire kind, the 47-year-old screenwriter is very familiar with teenage crushes and angst, having written and produced coming-of-age TV shows like ”Party of Five” and ”The OC.”

Rosenberg makes an appearance at Bothell’s Fred Meyer for the ”New Moon” DVD release tonight. She took time from her busy schedule to talk about the series.

Q: What was the adaptation process like?
A: I’m working with great source material actually. … Probably, the biggest challenge was finding ways … to externalize Bella’s internal experience and make it visual.

Q: What is it that makes Bella relatable? I mean, many girls would kill to have her problem!
A: Here is this everyday girl … clumsy, awkward, socially inept, all these things, yet this extraordinary boy sees what’s extraordinary about her. … All of us has that yearning, that longing, whatever is special about us, to be seen, loved and cherished. She is living out our dreams.


Q: You’ve written a lot about teenagers — how do you tap into that angst-ridden state?
A: I never write for teenagers. … The minute you start trying to capture some sort of jargon or whatever is hip now, you’re already outdated, by the time it hits the screen. … It really is about finding character and emotional truth, rather than something current or edgy.

Q: How was each director in the series different?
A: For Catherine [Hardwicke], we had very little time to work on ”Twilight,” I was feeding her pages … and immediately it was a very intense collaboration. With Chris [Weitzon "New Moon"], I’d already finished the second draft before he came on board, so I did a round or two and handed it off to him, and he made changes. … David [Slade] is a very visual director … so with ”Eclipse” (out June 30) I was able to write out specifically some of the sequences per his direction.

Q: Author Stephenie Meyer wrote a manifesto detailing how a screenwriter should adapt the books for the screen. How did you react to reading that?
A: The manifesto basically says, you have to adapt the book. [Stephenie] had an earlier experience before Summit optioned her first book with another studio. … They used it as a launchpad for a completely different story. She was so horrified by that, that when she optioned it to Summit, she also included that as part of her contract certain things, such as no canines of the vampires should be longer than normal human canines. … When I heard this, my fear was she’s trying to dictate to me what to do. Any writer would bristle at that, but when I saw the manifesto, I would do that anyway.

Q: How closely did you work with Meyer?
A: With each movie, we’ve gotten closer. … On the first movie, I kept my process private. But then as I got to know her, I realized that was completely unnecessary, because she is incredibly collaborative, fluid and not precious about her work … With ”New Moon,” she read all the drafts, but with ”Eclipse,” I asked her to read the outline, which was very unusual. It’s very risky. It’s very early. That’s where I do a great deal of my work. … That’s when you’re structuring the story and deciding what’s in, what’s out, what’s invented, all that.

Q: How did you and Meyer see eye-to-eye?
A: It’s a funny thing actually, because you can take someone like Stephenie who is very devout in her religion [Mormonism], and take someone like me who was born in Northern California in a hot tub to a family of shrinks. … And yet we meet in the middle, we meet in story. We meet in character. So our politics just don’t come up. It doesn’t have to. I was worried about that, about writing something that I don’t believe in. Not at all. It’s about character.

Q: How do react to the criticism that the movies strayed from the book?
A: People have to understand. … Adapting a book is not simply taking the book and putting it in screenplay format. You would have the longest dull movie in the world. A novel is a completely different animal. It’s a painting versus a sculpture. … My objective always is to take the audience on the same emotional journey as the book. That succeeded for some, and didn’t succeed for others.

Q: Are they dividing the last book, ”Breaking Dawn,” into two movies?
A: I personally feel there’s too much story to try to do it in one. The hope is to do it in two, but that’s still under discussion.

Q: I’ve read that several directors have been approached for that adaptation, like Sofia Coppola (”Lost in Translation”) and Gus Van Sant (”Milk”)?
A: I think everyone is being considered. … You want someone who can work with these actors very well obviously and someone who can handle special effects and someone who isn’t afraid to dive into an established franchise. It’s got to be intimidating to come into an already running show with such an avid fan base. … You’re like ”Wow, what if they hate me?” We all have to deal with that.

Q: Finally, I have to ask — are you Team Jacob or Edward?
A: (laughs) One is the ideal romantic perfect love, and one is the flawed but passionate bad boy. They’re both wonderful archetypes and depends on my mood!

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New moon DVDn: extended scene



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New Moon DVDn: Deleted Scene på Victoria :)



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Kristen avslöjar: Breaking Dawn i november?

OBS! INGET DET KRISTEN SÄGER OM BREAKING DAWN ÄR BEKRÄFTAT AV SUMMIT ENTERTAIMENT ÄN :(



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Teen Vogue Beauty Awards 2010: Taylor har det finaste leendet


Teen Vogue Beauty Awards 2010
This year, readers submitted more than 159,000 entries in our Beauty Awards, naming their beauty essentials and celebrity inspirations. Check out all the winners, then click
here to win a prize package of all the winning products!
Taylor Lautner – Best Smile

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Twilight-boys med inom kort i Seventeen magazine :)


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Ashley pratar om Tom Felton :)

Movie Trailers - Movies Blog
'>http://

New Moon DVDn: extended scenes









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The Twilight Saga: New Moon

ÄR NU UTE I HEEEEEELA LANDET :D

och här kära Twerdar är ett meddelande från casten till er:



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Ellen Degeneres överraskar sin publik med...

...vår heting Keeeeeellan <3



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Nu finns Twilight: The Graphic Novel vol 1 att köpa :D

Nu har boken även släppts i Sverige!
“volym 1″ alltså så den täcker inte hela Twilight-boken, men fler volymer är på gång :D
På de här nätbutikerna går det att köpa boken:

Adlibris (151 kr)
Bokus (160 kr)
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