RONJA TACKAR FÖR 4 HELT UNDERBARA ÅR MED BREATHINGTWILIGHT!

THE TWILIGHT SAGA: BREAKING DAWN PART 2 - PÅ BIO NU!

onsdag 7 april 2010

Länkar till bilder:

Jackson + 100 monkeys in Richmond, VA

Jackson + 100 monkeys in Alexandria, VA

Från inspelningen av Bel Ami, del 1

Från inspelningen av Bel Ami, del 2

Från inspelningen av Anna Kendrick's nya film "I'm With Cancer"

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Sneek Peek på extra-kapitlet för The Host :)

SPOILERS! FÖR DIG SOM INTE LÄST THE HOST!

I’m all alone.

It’s dark. I can’t remember where I am … or why I’m here. It’s wrong that I’m alone. Where is Wanda? I can’t see to look for her. I can’t remember how to call for her. It’s silent. I can’t feel her. I can’t feel our body.

Panic starts to set in as I wait for her voice. For her to say my name. To tell me where we are. To open my eyes so we can see. I need to hear her voice — my voice, in my softest tone, my gentlest inflection.

I wait, but there is nothing. Just me and the dark.

The panic gets worse as I try to remember. Did she shut me out again? That happened once, I know, but I don’t remember it. I don’t think it was like this, panicking in the dark. It was just nothing then.

And I don’t think Wanda would do that. Because we love each other.
I remember we said that.

Just before …something. I try to dredge up the memory.
We were saying we loved each other.… We were saying …


Good-bye.

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Eclipse Postern i Ryssland


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Intervju med Rosenberg :)

Everyone’s favorite screenwriter Melissa Rosenberg, sat down with Film.com to discuss being a screen writer, her personal life and the final installment of The Twilight Saga:Breaking Dawn.

Laremy Legel: When I talked to you for Twilight you were just dipping your toes into the fandom, and what it was all about. Do you check fan sites these days?
Melissa Rosenberg: I stay off the Internet, because I’m very sensitive to commentary. There could be 10 comments of “Fabulous job!” and one “She’s horrible!” and it completely throws me. When you’re writing you’re constantly fighting demons to sit down and do what you do. If you listen to the voices outside your head, in addition to the ones inside your head, you’ll never get anything done. There’s enough inner strife.
I do, however, maintain a fan site, where people are mostly kind. It’s interesting reading their comments, because they talk about what’s important to them, what things really register, what things I need to capture. So I do rely on that.


LL: You’ve been writing Dexter and The Twilight Saga for the better part of four years now. How do you maintain a balance with your personal life? Or is it just about “The jobs are available now, I’m going to work as hard as I can right now because I don’t know if I’ll get another shot like this?”
MR: It’s the second one. There is no life balance. I’ve been working for many years and I’m well aware of how rare an opportunity it is to have even one of these projects available, much less both. It’s an extraordinary opportunity. You just don’t walk away from opportunities like that because you’re too tired or it’s too much work. I had to grasp them both, and fortunately I have a very understanding husband and very understanding friends.

LL: If an adaptation felt to you like an R rating, but the studio wanted you to bring it in at a PG-13, would that be doable?
MR: Oh yeah. It’s completely doable. You don’t sacrifice story by cutting language. Nor do you sacrifice story by showing less blood or gore, or whatever it is that’s bringing you to an R rating. It doesn’t hurt it. When Dexter was aired on CBS they had to re-cut some of it for network television and all they had to do was cut some language. There’s more blood and gore in an episode of C.S.I., though of course Dexter is more disturbing. Not because of what you see, but because of what’s implied. I don’t think you take away from suspense or character by altering a few things like that.

LL: Having read Breaking Dawn, where things get ratcheted up a notch, do you still go for that PG-13 rating?
MR: Oh yeah, absolutely. That’s your audience. In this series you don’t sacrifice anything. There are some movies that wouldn’t play at PG-13, like The Hangover, but this is just not one of them for me. Again, if you’re capturing character, emotion, and emotional journey, you’re OK.

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Intervju med Tyson (Quil)

Gjord av:The Film Yap

Most actors toil early in their careers, desperately taking one job after another hoping to hit the big time. Not so for Tyson Houseman, who, in his first-ever audition scored the part of Quil Ateara, one of Jacob Black’s best friends in “The Twilight Saga: New Moon.”
He is now starring in that film’s sequel “Eclipse,” opening this June, and Houseman is on top of the world. He took a moment to sit down with The Film Yap to discuss scoring the role, how Native Americans are portrayed, and meeting people who think he’s a werewolf.

The Yap: Hi, Tyson, how are you?
TH: Good. How are you?

The Yap: Great, thanks. So how did you get connected with the whole “Twilight” phenomenon?
TH: Well, “New Moon” was the first movie I’ve done, and it was the first audition I’d even ever been to. I remember I got the part, I was looking on the internet for a job on Craigslist, and I found this job that said there was an open casting call, and it didn’t even said for “Twilight,” it just said “a major motion picture,” for a Native American, age 15-25. I thought “I fit that description, so I’ll check it out.” So I went down there, and that’s when I first realized it was for “Twilight,” because there was a lineup from the open casting call like 4 or 5 blocks long, and it was just filled with “Twilight” fans with books and t-shirts and everything, and I thought, “yep, this is probably one of the ”Twilight” films. I didn’t really expect to get anything out of it, but I went and stayed at the audition all day long, and there was only like 5 of us left, and they filmed me at the end of the day doing a scene. The next week they told me I got a callback, and I went and I did the callback, and a week later they called me and said I got the part.
The Yap: So you were batting 1.000 right out of the gate. Quite an accomplishment. You have a theater background, right?
TH: Uh, yeah. It was really just like school plays and stuff like that, though.

The Yap: Wow, so they really did just grab you out of nowhere. Have you had any difficulty adjusting to this sudden fame? You’re not exactly doing an intependent film to start off, you’re jumping right into the mania of this franchise.
TH: Not really. It was kind of a lot to handle at first. You’re right, it’s this big phenomenon thing, and it was hard for me to deal with it. I just had to tell myself, yeah, this is just crazy, but I’m still like the exact same person I was a year ago. I’m still Tyson, and it’s not really changing me personally in any way. I’m staying true to myself and staying grounded. But other than that it’s been really great, just meeting a lot of really cool people. All the fans are just so great and passionate about it.

The Yap: Have you had any crazy experiences yet? Mobs of girls, or people approaching you at weird times?
TH: Actually, there was this one time, it wasn’t even really a crazy experience or anything, but there was this woman, she looked like she was 70 or 80 years old, and she came up to me and said “are you Quil Ateara from New Moon?” It was really funny. You expect 13-year-old girls to be fans, but it ranges across ages.


The Yap: Something I want to ask quickly: being Native American, how do you feel the “Twilight” series portrays Native Americans? Do you see it as properly and respectfully?
TH: I don’t know. I like the way it is portrayed. It’s portrayed accurately, and it’s very respectful. I like the whole idea that they stick to the traditions and the stories, and the ideas of how wolves came about. It’s really cool how that’s introduced. But just the lifestyle as a whole in the film and in the books, it’s accurate, and I was really proud to be a part of it.

The Yap: Speaking for your character in particular, you slowly build in to becoming a more regular presence. Can you tell me about how that has helped you?
TH: Yeah. There were a lot of similarities between what was happening to me and the character. I only had one day of shooting on “New Moon,” but I was still friends with all the other wolf guys because we worked out together so much. So it was really cool. The character himself, he was the last one to turn into a wolf, so he always felt kind of left out. They didn’t really talk to him that much. But when he turns into a wolf he’s glad to have all of his friends back. For me, I was always hearing about their stories on “New Moon,” all the fun times they had, and I kind of felt left out. So it was really cool in “Eclipse,” when I’m a wolf, I can hang out with all the guys again. It really felt similar to the character.

The Yap: Great. Your character is one of Jacob’s best friends, so I assume you spent a lot of time around Taylor Lautner, and now he’s this…I don’t want to say teen idol. My first thought was sex symbol, but I don’t want to say that either.
TH: {laughs}


The Yap: {laughs} But anyway, is that something that has happened to everyone, or more just him?
TH: As far as being a more muscley dude with the six-pack, I think that’s more affected him more prominently than the rest of us, but it’s still there for all of us. I do feel sometimes like I’ve become a symbol. There are a lot of that will come up to me, and they won’t see me as me. They’ll think my name is Quil, that I’m the character, and I’ve had some younger girls scared to come up to me because they think I’m a wolf, or something like that. It’s weird to think about it in that respect, that you’re kind of a symbol reflecting that character. But it’s still pretty cool. It’s for the fans, which is nice.


The Yap: There was something else surrounding your character and Jacob’s too later on, which is the whole issue of them imprinting on young children. It’s not as weird or creepy as it could come off. How do you see them handling that as the series progresses?
TH: I think they’re handling it really well. There are a lot of ways it could be seen as creepy and it could be misinterpreted. I get jokes all the time about how I love little kids or something like that. But the way they explain it in the books is really well-written, and they translate that really well in the movie too. The whole imprinting thing, you’ll get a really good idea of what it means, and how it’s okay that it’s a little kid when you see the movie. It’s really excellent.


The Yap: What’s the best and worst parts of being involved with this franchise?
TH: The best part is that it’s a great time. Everybody’s really friendly and nice. Me and the rest of the wolf guys are really good pals, so it’s nice we get to go to these conventions together, and see each other all the time, we get to work out together, and other films you would work with the actor, then you wouldn’t see them after that. But I get to see the other actors at Twilight conventions and stuff like that, almost every month. So it’s really cool.

The Yap: The worst thing, then?
TH: The worst thing?


The Yap: Or the most difficult thing if you want to do it that way.
TH: Well, I guess with the number of people who recognize you now it’s kind of hard to go grocery shopping or something like that.


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kort intervju med Ash :)

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Robert Pattinson intervju på NORSKA :)

Klick,klick för att få bildena större :)


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Kellan hos Jimmy Kimmel





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Datumet är officiellt :)

Vi skrev ju innan om att Röda-mattan-premiären skulle gå av stapeln den 24 juni, men inget var officiellt förens nu:


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